Showing all 3 results
“I have always tried to work out a way of coming up with a single image or analogy or a metaphor, that makes it really clear to a non-specialist, the phenomenon of hearing that piece of music”.
Chopin: 24 Preludes Cédric Tiberghien Chopin: 13 Preludes(from the 24 Preludes)Sviatoslav Richter Tokyo 1979 Bach JS: Prelude and Fugue No. 7 in E flat, BWV 852 – Well Tempered Clavier, Book I, Performed by Wanda Landowska, Harpsichord, 1949 Bach JS: Goldberg Variations –Harpsichord, Performed by Wanda Landowska (First Rec 1933)
There have been many highlights in Simone Young’s career. Alongside conducting most of the world’s great orchestras including the London and New York Philharmonic Orchestras, the City of Birmingham Symphony, and the BBC Symphony at the BBC Proms, she was also the first woman to conduct at the Vienna State Opera and the Vienna Philharmonic, two orchestras she regularly returns to conduct today.
Title: Brahms Symphonies 2,3 and 4 Composer: Brahms, Simone Young and the Hamburg Philharmonic Recording: OehmsClassics
Title: Symphony Nr 9 Composer: Bruckner, Simone Young and the Hamburg Philharmonic Recording: OehmsClassics
Title: Symphony Nr 2 Composer: Gustav Mahler Recording: Simone Young and the Hamburg Philharmonic, OehmsClassics
Title: Der Ring des Nibelungen Composer: Richard Wagner Recording: OehmsClassics
There are not many stage directors in the world who, in the space of six months, have directed Wagner’s “Die Meistersinger von Nürnberg,” Debussy’s “Pelléas et Mélisande” and the musical, “Fiddler on the Roof.” But that is exactly how Barrie Kosky spent the second half of 2017. What’s more, this is a typical schedule for the energetic Melburnian.
Title: Eine Frau, die weiß, was sie will Composer: Oscar Strauß Recording: Komische Oper Berlin 2015
Title: Pelleas et Melisande Composer: Claude Debussy Recording: Komische Oper Berlin 2017
Title: Ball im Savoy, Kangaru Composer: Paul Abraham Recording: Komische Oper Berlin 2013